Small Business Empowerment and Creativity in Events with Rah-mah Pelzer-Elue

Welcome back to The Event Pro Show- your trusted podcast for all things corporate events, experiential marketing, and the creative craftsmanship that brings gatherings to life. This week, host Seth Macchi chats with the dynamic Rah-mah Pelzer-Elue: a Nigerian American entrepreneur, award-winning poet, playwright, spoken word performer, and fierce advocate for creativity and small business growth.
From her formative years at the Duke Ellington School of the Arts to performing at the Kennedy Center and the US Black Caucus, Rah-mah’s story is both powerful and uplifting. She shares how her artistic background paved the way for a thriving career in events, founding S.H.I.F.T. Performance Staffing Agency and S.H.I.F.T. Event Rentals, while building spaces that spotlight underrepresented voices in entrepreneurship.
In this episode, Rah-mah opens up about her approach to event production, how creative disciplines translate into business success, and her take on connecting across generational and technological lines in today’s fast-changing industry. You'll also hear about a childhood event she'll never forget (hint: Rosa Parks makes an appearance), defining moments that shaped her leadership, and her bold outlook on where corporate events are headed in the years to come.
Whether you’re just getting started or a longtime industry pro, this conversation is filled with practical takeaways, authentic storytelling, and fresh energy to fuel your passion for impactful experiences.
Resources:
https://www.linkedin.com/in/rahmahzahrah/
The Event Pro Show is a production of LEMG.
LEMG is a leading event production company known for delivering exceptional experiences. From site planning and event design to technical production, staging, lighting, sound, and more—we do it all. As a second-generation company, we’re proud of our rich history and commitment to innovation. Whether it’s a corporate meeting, conference, convention, or live event, we’re the team our clients trust to execute their vision flawlessly.
https://lemg.live/
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Welcome to the Event Pro show, your. Ultimate guide to the world of corporate
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events. Whether you're a corporate event planner, experiential marketing
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pro, producer, technician or anyone involved in creating exceptional
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events, this podcast is. Your go to resource for valuable insights.
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Expert tips and inspiring stories from the industry's leading professionals.
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Well, thank you for joining us for another episode of the Event Pro Show.
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I'm your host Seth Macchi and this
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episode is, is a super exciting
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episode for me because I've always felt that
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in events and the world that, that I get to play in a lot is
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corporate events. A lot of the people in it that actually
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produce a lot of the behind the scenes people that you might never see
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are highly creative people. Many of them have other stories,
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they have other branches of creativity that they come from
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to bring you that corporate event. And so our guest today
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is just like that. I'm going to get into your bio right away
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before we get get started. So our guest today
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is a Nigerian American entrepreneur and award winning poet,
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playwright, spoken word performer with a passion for
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creativity, business and community advocacy. Through
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her company, Our Stop Shop, we'll address
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that a little bit. She created a platform for black economic empowerment
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and hosted a historic Black Business Expo at NC
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State FER Fairgrounds. Her artistic achievements
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include performances at the US Black Caucus and Kennedy center,
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inspiring and advocating for underrepresented entrepreneurs and
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artists. She's also the founder of SHIFT Performances Staffing
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Agency and SHIFT Event Rentals which provide high level
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staffing and event solutions for corporate and experiential
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events. Please welcome to the show. Rama
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Pelzer, ilu. Yep, thank you.
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So good to have you here. I, Rama and
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I met just a few weeks ago at an event but right away
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I was like, hey, this is a creative soul. This is a person that
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I really want to get to know and looking into her
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businesses and what she's accomplished. It's just you have such an,
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a compelling story so I have to get into
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it with you. So before we jump into anything, because this is an event
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centric show, I ask everybody at the beginning
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what is your earliest or your first event memory
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that you can, you can remember? Like the first event you can remember attending?
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Attending? Yeah, yeah, like as a, as a kid, like I, I remember that one.
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Time we went okay, so my very first
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event I remember attending
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is a Little Bow Wow concert. Little, Little Wayne opened
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up for, I mean Lil Zane. Well, Zane opened up for him
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Snoop Dogg. This is back when Bow Wow was like Snoop
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Dogg's nephew and
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my uncle Food Took us like it was me and some of my cousins and
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one of my sisters. And
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yeah, it was. It was game changing. I want to say I was like 8
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or 9. And that's exactly what I'm talking about.
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It's so crazy. And hands down.
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So Bow has me for a couple of years, not by much. So I'm eight
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or nine. So he's like. And this is back when the Bow wow little
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Romeo bible is going on in the music industry. So
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it's like you gotta choose the side. Kind of like the Tar
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Heel situation. Yeah. But they were surprise tickets.
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I didn't know what concert we were going to until we got there.
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Yeah. So, yeah, it was.
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It was fun. It was really, really fun.
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Yeah, I. I love when I ask people those questions. A lot of time
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it is involved with family, you know, and it's like a solid memory that
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they have. And most people, I don't even know if
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you remember the specifics. It's just like you remember what you felt like when you
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were there. And it was just like this impactful experience in your life,
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you know, like this positive kind of life changing thing, you know? And that's kind
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of what events do for people, you know? And I don't know if you like
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me. That was kind of what drew me in. At the beginning of any type
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of events, there's like this magic thing that happens.
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And when you're little, you're just so tuned into that. So I'm about to one
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up you. Okay. So my most impactful event,
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I was actually younger. Oh, okay. Okay. I was
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in kindergarten. Okay. But I was six. So it was like
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post Martin Luther King Day. And we were doing the Martin Luther
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King Day, like, presentation that they have the elementary school
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kids do. And after that,
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my grandma brought Rosa Parks to our neighborhood for us to
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meet her. Really? Like, literally, like, that's a way
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cooler. That's what I'm saying. Like at 6 years old and that.
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And even at that time she was older, she was a lot more like they
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didn't even let her get out the car. So all these, like, young
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kids are surrounding borderline looking like
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we're mobbing a car. Yeah. Because Rosa Parks is in it. And
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it was like humbling. But it was also
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like one of those things where something you just learned and you were
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presenting, but you didn't really understand the magnitude of it.
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Yes. And then the person you're even like talking about
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in this, like, theatrical. And this is at a time where tv, like,
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we were all watching the same stuff all the time. There was one
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TV lineup, there was cable. Wasn't really
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even that big of a thing yet. So it's like we're all in
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uniformity with what we consume. And so to
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go from it being like something taught to
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you to it being tangible where you can touch it, you can smell it, you
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can see it, you can like history, a piece. Of history right there.
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That's amazing. Yeah, that's an amazing experience. That's pretty
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powerful. And shout out to my grandma because she, I don't know how she pulled
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that off in any sense of the word.
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Just one. The little kid event memory of
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everybody so far. Yeah. Yours is like super significant.
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Okay, so fast forward from that. I know you have an artistic history,
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but what was the first time you could remember wanting to be
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involved with events as a career? And not everybody has this
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moment in time. So it's interesting to me just to hear.
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Do you have a moment where you were like, I want to be involved in
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events? Or did it come to you over time?
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It kind of was a life journey,
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if we're being honest. Like, the art saved my life.
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It did. However, making the
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transition to being the service provider
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side of
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naturally happened. Right. Because like
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I said, the art saved my life. So I was, I got introduced to the
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arts, which I haven't even told you this, but I'm.
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I'm not, you know, I'm Nigerian. But what you don't know is that my dad
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was deported while I was in middle school. And it
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was kind of one of those things where my
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mom kind of prepped me for it a little bit. But I have a lot
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of siblings by my dad, so I was the only one
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prepped. Everybody else was kinda trying to keep the
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optimism alive that it wouldn't happen. Yeah. And so
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while navigating that, you know, those middle school years is also
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one of the most emotional and life altering times because of
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hormones and everything. And so to navigate my dad
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getting divorced when I'm around 11 and
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12
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was over. It was, it was all consuming in certain
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ways. And my mom was like, listen,
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you're acting out player. Like, and. And so her, her thing was,
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right, just write, just write or something. Journal, whatever. I was,
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I was never a person that like had a diary. I wasn't one of those
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girls where I had like the secret diary that I would just jot down and
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stuff that I like, she would, she gave me these journals and
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at some point it was a way to
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rewrite the story. It was a way to tell the story
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unapologetically. It was a way to
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navigate big emotional feelings
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that, one, you're experiencing for the first time, two, you
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don't even really understand the magnitude of them.
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And three, you're not really equipped to comprehend
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the residual, like, more deeply felt impact of
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it. And so at some point,
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it went from doing it to just deal with it
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to doing it, because I genuinely have something
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to say, right? I genuinely want this to.
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I want my voice to be understood from a different perspective
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because I'm not the only one, right? And so to have gone
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through this even amongst my siblings, and the
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only one to have even been kind of
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cemented or kind of leveled a little bit or
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grounded a little bit to prepare for the impact,
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it was like my version of the story is based on,
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like, even though I knew the plane was going to crash, right?
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I didn't understand the
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residual impact it was going to have until it started, right?
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And I didn't understand the other things that were coming up the pipeline, like
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puberty and this and being given extra freedoms and stuff
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that comes with those getting older. And, you know,
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so I can't imagine. I can't imagine. So this was you
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working through that pain, and this was you walking into spoken
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word. I assume this is like kind of a walking into
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that part of your life, or was it just a
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I'm writing out my feelings and it was therapeutic to
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you. So it rapidly changed from writing on my
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feelings to writing out stories to
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now at this time, which is so funny about the bow, I think something that
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was also going crazy via email.
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So there, you know, everybody knows about the chain letters, the crazy, like,
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chainless, with what was also circulating. The emails, like,
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crazy were like these boy band
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scripts where it was like somebody creating this whole
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version of a story that they were writing out with, like,
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these celebrity boy band artist names as the
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character names. And they were like. And I don't ask me
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how they circulated through aol, Yahoo. You melodested. But they did, right?
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And so at some point, me and my friends, all in middle school,
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are captivated by it. But then at another point, I'm like, if they can tell
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that crazy story that we know is not Omarion, is not Bow Wow, it's not
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Lil Romeo. I can tell my version of a real story
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that I'm just trying to navigate through with my friends, with my reality,
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with them. And so it started out as narratives,
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and then I ended up going to an arts high school, Duke
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Ellington School of the Arts, same school as Dave Chappelle and a couple of others.
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And, and then there. Duke Ellington doesn't just
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help you cultivate talent, they equip you to be prepared
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for professional career and whatever your talent you're pursuing is.
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So. And then they also give you access, kind of like
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undergrad and college, where you got to take a couple of preliminary just to
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see if the major you're thinking about or things like that. And so they
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make you do that. They take, you make you take music classes, photography classes,
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script writing classes, theater classes, dance classes. Like you're, you're
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forced to at least dabble in it all at once. See, this is like I,
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I knew this existed growing up. I never even knew where those were. And it
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just sounds like a TV show to me, like some sort of dream TV show
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scenario where you get to go and be creative in every different direction. So
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was that an amazing experience? It was. Okay. First and foremost, it was like
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a four part audition process just to get into school. So, so that's how
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you know, like, okay, they not play it like. But then the
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other side to it was it, it transforms you. Right. Because
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Duke Ellington is dead in the middle of Georgetown. Georgetown is
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like right across the street from Georgetown University. However,
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95% of the population that attends the school is borderline
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being bussed into this part of D.C. from southeast D.C.
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from Anacostia, from Georgia, from Georgia Avenue, from
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Columbia Heights, from like parts of the city, Ben and Row,
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parts of the city where there are minimal resources, where
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there's minimal avenues for you to
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even be talented and it be nurtured and be
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poured into and it be encouraged. So there's, there's already
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that where you're one year school, you're committed to a
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longer school day out the gate. Right. The normal school day is,
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I want to say, to one and a half to two hours shorter.
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So like they stick another class or two in there. Yeah. And so
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then the other side to it is, and then you're getting up way early. DC
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doesn't have public, they don't have school buses like North Carolina. So
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you're hopping on the metro, you're hopping on buses and trains
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an hour and a half, two hours just to get there.
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Right. Because everybody's coming in. So you're talking about a school full of
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kids having to catch the same trains and buses
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to get from the train station to where the school is and be on
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time. Yeah. And so it, it kind of laid its own
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infrastructure where it's like, I earned this
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spot, but also I can Lose it. Like,
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you know, it's competitive. Yeah. And. And then the other side to it is
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they kind of hold you to the same standards collegiates do, where you can
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get on academic probation, where you can make honor roll, and it
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be like this huge thing where you can earn access points,
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where it streamlines a pipeline for you to be able to lean
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into what you feel like is helping you or nurturing you or
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is your way out from these circumstances.
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And so that definitely took a role, but them
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teaching you it as not just a skill set, but a business
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model that also makes you look at it completely
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differently than just a person secretly or trying to
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come up with the supplies to be able to pursue this task. Okay,
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so they're teaching you how to make a living in the arts. Okay. Yeah.
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Okay. So you're in this kind of. You're in this
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environment, this creative bubble for a while. Just like
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competitive, but I imagine inspiring too.
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And then you go into this time of performance arts. So
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post high school, you started doing different
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types of performing. No. While still in high school. So in high
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school, so you know how there's a summer school, summer job programs.
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There was a musical theater performing arts program.
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I don't know how I got in it, but I literally was being
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paid to be a musical theater artist. And so it was like my high
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school was playing off of this, but then this was a year round
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program, so it was like my whole
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life was being consumed by the arts.
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So academically, I'm in a school where it's like you have your academic
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workload, you have your arts workload. And then like
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my first or second year of just a summer job program, shout
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out to Marionberry. They roll
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out this program called Friends of Carter Baron, which is a
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musical theater arts program as a
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summer job. And so that created a whole nother
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pipeline because the beautiful thing about that was they were bringing
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in celebrity artists to headline these
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productions that we were working with. So I'm. So I'm. I'm
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14 years old, green is all outdoors
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acting, way too grown. Collaborating on a
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production with Raheem Devon, who's like a D.C. treasure. Right.
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And trying to do other stuff. Right. Like it's.
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And so it was, you know, the. That that
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also opened up so many pathways because now
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you're actually in rehearsals, you're actually
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sitting on the side doing social stuff with
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celebrities that you're used to only seeing on TV or on your radio,
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not sitting in the back stage with them
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playing spades and talking casually and,
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you know, just It's. And so it humanize them, but
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it also made me realize how attainable, how
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accessible it was. Right, right. You can see that this
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person, this is a normal person. Yeah. And they do this really cool thing. Yeah,
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I think I can do it. Yeah. So it was. So it was both of
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those. And just hearing people go through regular. I remember one of these celebrities.
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I'm not going to name names, but I remember one of these celebrities
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back when Sprint was not owned by T Mobile.
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They were so caught up in rehearsals because our rehearsals were running to like 11
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and midnight and they didn't realize they didn't make it to the Sprint store to
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pay their bill. And so they came back to rehearsal the next day. Their phone
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was disconnected. Like, what? Wait a minute, I thought that was a me
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probably, you know, and she was like, no, it's not that I don't have it.
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It was. I literally had to physically go handle it.
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Yeah. And time gotta wait. That's a total like human.
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Yeah, it was like stuff like that. You deal with that too. Yeah. It's just
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like, oh, okay. Way to, way to
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humble me into realizing like it's not this far
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fetched out of reach. And this is pre social
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Instagram. And you know, you've been able to see a whole
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celebrity. There's a lot sort of transparency now. Yeah. Where you can
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kind of follow along. Okay. So you had this, this
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creative beginning. Yeah. And
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you have a lot of really cool stuff in between. But now
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you find yourself, you're running an event company
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and so, you know, reverse engineer that a little bit.
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What was your first job in kind of
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this type of event space? So, you know, the direction I come
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from is like corporate events, but just any, you know, social events
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or just events that aren't maybe theater based. How
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did you transition into that? So my first
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corporate event. Am I connecting the dots?
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Because technically we did event marketing staffing before I did back of the
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house servicing. Got it. Okay. Okay. So my very first
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corporate event was after I relocated to North
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Carolina. Okay. In 20.
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2013. It was in 2013.
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And it was Chevy. It was a event marketing
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campaign where Chevy was sponsoring like a little
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league baseball team. And a part of the event marketing
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campaign was a fundraiser for the team, but it
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was to get the event attendees at the baseball game
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to do test drives. For every test drive they did, a donation
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was made to the little league team directly from Chevy. So it was a.
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So it was a kind of cross collaboration event marketing campaign. And it was in
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Lillington, North Carolina.
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And I had no idea
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that this was an area that allow
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for all of the background I had to be
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transferable. Right. Okay. So was that a moment where you're
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like, oh, and it paid way more skill set? Yeah, yeah, I
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can, I can, you know, do more things. I can get paid more and have
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like a better life doing? Yeah. Like, my first time learning what
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minimum wage was, was moving to North Carolina.
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Like, even doing the stuff as a teenager, I was making somewhere between 18
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and 20 an hour. Right. So as an
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adult, like, almost done through
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undergrad is the first time I realized people actually make
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$7 an hour. People actually make $8 an hour, and they're
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surviving out here as adults. And. And so
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that opened up a pipeline. Like, my resume was
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super long. And when I would apply, like
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for what seemed like transferable skill
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jobs, I wasn't getting a response despite, you know.
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And then this opened up that pipeline
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from. It was like, oh, I can actually show you better than I can tell
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you. Right. Like, I can actually show you how these skills are transferable to
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what your goal is. And then the more we did
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that, the more I did that, the more
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I realized how their supply chain for what they
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needed from me or my team or my staff to do
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was a problem with the service provider side. Like,
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stuff was we, we. We pretty much was like, your
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unspoken job requirement is MacGyverin equipment
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because it's gonna fall apart during the job at some point, and you need to
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learn how this stuff works and figure out how to. Yeah. And figure out how
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to put it back together. You can meet these quotas that the
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client wants on the front end. And then we realized they didn't have a
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great supply chain. They only knew this one source, and so they
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always use this one source. And so then we started giving them
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alternative options and we became their back of
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the house supply chain as well as their front of their house gold
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and quota meter. And. And then from there I realized
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other people have no idea that this is how these
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huge corporations are doing it. And they have no idea
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what it's called. They have no idea that it's in their
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backyard. And so we realized we
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had to go front facing because the people who even
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needed us closest to home were oblivious.
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What we were right. What the name was, what
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the title was, what the job description was, what the service
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was that was going unmet, creating that
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bottleneck for whatever their business was. Right.
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Do you think that's what kind of inspired you into
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it? Seems like you have a lot of passion for small businesses,
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small business owners, people who are out there hustling to do
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it for themselves. Do you think that's kind of a beginning of that too?
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Or were you kind of always aware of that? Because you, you seem to
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have, you seem to be committed to making an impact in
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that space, in the small business space in general. Yeah.
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Like
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if you hit on the, if you hit on the arts, if you hit on
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events, if you hit on talent pools.
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Everybody's not like, they pretty much say prepare for 80
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rejection. Prepare for, you know, only 1 to 5% of you are going to make
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it. So what are the other 95% of people supposed to do? Yeah. Right. What
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are like, you've trained your whole life. You've been taught your
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whole. For this job. Yeah. That you may never get.
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And you, you know, you, you see those
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scenes and movies or documentaries, they were like, this is all I know. Right.
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But they have no idea that that skill is even more
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valuable in this more conventional space in this
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more traditional way. This skill is
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100% transferable and even. And able to
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afford you even more. Yeah. You, you seem to have
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a knack for seeing how people can unlock their
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skills in other places. Yeah. Like find their value
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elsewhere. I love that. I love that.
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I think a lot of people have these, these skills that things are good
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at that other people would be more than happy to pay twice
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as much as you're earning now. You're just not valued and you're not in the
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right place. Place. Exactly. You don't know how to package it. Right. And
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because you don't know how to package it, they don't understand how it
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benefits them. And so the disconnect. Isn't that what you have
396
00:24:51,650 --> 00:24:55,370
the ability to do can't fill this role? It's. You
397
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don't understand what language or what verbiage or with
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terminology or what the descriptions role
399
00:25:04,410 --> 00:25:08,250
written out looks like for them to understand. Oh wow.
400
00:25:08,570 --> 00:25:12,410
You run circles around. And your resume
401
00:25:12,730 --> 00:25:16,410
of having to have done this this long actually makes you the
402
00:25:16,410 --> 00:25:20,210
ideal candidate over this entry level person that just heard this phase.
403
00:25:20,210 --> 00:25:24,010
Good money, got a degree, but has no idea how to actually do the job.
404
00:25:25,050 --> 00:25:28,490
So funny how some people just need to hear that
405
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and just know that they
406
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can. And you just don't know what you don't know also. Right. That's.
407
00:25:36,050 --> 00:25:39,170
That's the other side to it. Like you see the setup, but you have no
408
00:25:39,170 --> 00:25:42,910
idea who implemented. Not in the room. Yeah. By the time you see the setup.
409
00:25:42,910 --> 00:25:46,470
Right. So it's like oh, you could do it if you
410
00:25:46,470 --> 00:25:49,870
knew. Yeah. And so, and that's my thing. My thing is you don't know what
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00:25:49,870 --> 00:25:53,630
you don't know. But I'm gonna make it even harder for
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you to remain ignorant. That's always my goal. Like
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put the puzzle pieces together so anybody can at least, even
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if the puzzle gets this disheveled or something, you at least have all the
415
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pieces there to reassemble. Versus you're like,
416
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wait a minute, half the puzzle pieces ain't even in the room. Right.
417
00:26:12,780 --> 00:26:16,540
I don't even know what I'm supposed to be looking at. Well, on your day
418
00:26:16,540 --> 00:26:20,300
to day now, like your current with shift event rentals,
419
00:26:20,780 --> 00:26:23,660
what type of problems are you helping to solve for your clients today?
420
00:26:25,980 --> 00:26:29,100
So post Covet world clients
421
00:26:30,380 --> 00:26:33,610
kind of have a couple of the same ones. Right.
422
00:26:34,250 --> 00:26:38,090
People have a desire. They, everybody is now realizing how
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much they value relationships or connections or community of some
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sort, whether it's social, professional, political,
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00:26:45,930 --> 00:26:49,770
societal. Another one is
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people want to hold on to any dollar they have as long as they
427
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have it. Even if they know it's something they got to spend the money on,
428
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they will wait until the very last second.
429
00:27:00,970 --> 00:27:04,760
Yeah. To have to give up that
430
00:27:04,760 --> 00:27:08,040
coin. And then the third one is
431
00:27:08,520 --> 00:27:12,320
people have done the same thing for so long, they're trying
432
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to figure out why there's a, such a huge gap
433
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between who they're dealing with and who they're trying to
434
00:27:19,520 --> 00:27:23,320
reach. And for us, we exist dead
435
00:27:23,320 --> 00:27:26,720
in the middle where it's like we get the old school way. We understand this
436
00:27:26,720 --> 00:27:29,960
is how we was raised, this is how. But it was like. But we also
437
00:27:29,960 --> 00:27:33,590
understand that this made it way easier. This is making
438
00:27:33,590 --> 00:27:37,310
it, this is making it way more tolerable. This is making it
439
00:27:37,310 --> 00:27:41,070
way more palatable. This is so for us on the day to day,
440
00:27:42,030 --> 00:27:45,710
we're ultimately allowing for the things that appease
441
00:27:45,950 --> 00:27:49,790
as a bridge to be transferable, to allow for them to understand
442
00:27:50,190 --> 00:27:53,950
how it solves a real problem for them. Right.
443
00:27:53,950 --> 00:27:57,710
Like your, your worry is I can't make a commitment until I
444
00:27:57,710 --> 00:28:00,270
know what these numbers look like. But I don't know what these numbers look like
445
00:28:00,270 --> 00:28:03,950
until this last minute. And then this is adding, making these numbers go higher.
446
00:28:04,490 --> 00:28:07,770
So it's like, okay, well these things actually appease to this
447
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because they're used to you doing the same old thing. So you
448
00:28:11,890 --> 00:28:15,650
incorporate this. They're like, wait a minute, it's, it's catching me off guard.
449
00:28:15,650 --> 00:28:19,490
I wasn't expecting that. Yeah. You know, so now they want to take actionable
450
00:28:19,490 --> 00:28:23,010
steps because they don't want to miss out, they don't, they can't, they can only
451
00:28:23,010 --> 00:28:26,810
imagine what's next if that's what you did. And that was completely far
452
00:28:26,810 --> 00:28:30,530
left field. But then the other side to it is there's now ways
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00:28:30,530 --> 00:28:34,150
to collect data, actual, traceable,
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00:28:34,150 --> 00:28:37,470
trackable, fact based information
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that you now can make an informed decision intentionally
456
00:28:41,630 --> 00:28:45,430
and preventatively versus reactionary. We're trying
457
00:28:45,430 --> 00:28:48,990
to take as much of the reaction out of our clients problem
458
00:28:48,990 --> 00:28:51,790
solving process as much as possible
459
00:28:52,990 --> 00:28:55,710
to avail for them to have the freedom to make decisions
460
00:28:56,190 --> 00:28:59,980
proactively instead of reactionarily. And we're
461
00:28:59,980 --> 00:29:03,540
trying to bridge that gap. We're like, listen, this is the transfer of everything is
462
00:29:03,540 --> 00:29:06,940
happening. The person you're used to serving has retired.
463
00:29:07,420 --> 00:29:11,100
This is the next person in line. So you need to understand that these
464
00:29:11,100 --> 00:29:14,860
are the things that they can't be a piece to. You can't
465
00:29:14,860 --> 00:29:17,340
just say, oh well, you got to do it. Well, if I got to do
466
00:29:17,340 --> 00:29:21,180
it, I'm gonna do it. When I have no other option, I'm do
467
00:29:21,180 --> 00:29:24,820
it after the license expires, I, I'm gonna do it. When you tell me I
468
00:29:24,820 --> 00:29:27,620
run the risk of not making no money no more, then I'm spend this little
469
00:29:27,620 --> 00:29:31,000
bit of money to reinvest. Ve it's like
470
00:29:31,320 --> 00:29:35,080
you create those things that they desire. They desire community, they desire
471
00:29:35,080 --> 00:29:38,120
like minded individuals. They, they want to be in those spaces, but they want to
472
00:29:38,120 --> 00:29:41,920
be in those spaces with people that they know that they can find that
473
00:29:41,920 --> 00:29:45,640
with. So you create this, this is what appease to
474
00:29:45,640 --> 00:29:49,320
them. This is what gives you what you need to have the data or
475
00:29:49,320 --> 00:29:52,760
the analytics or the facts.
476
00:29:53,880 --> 00:29:57,720
This is what speaks their language, the, the language of your
477
00:29:57,720 --> 00:30:01,350
new audience instead of the culture of your old
478
00:30:01,350 --> 00:30:04,110
audience. Right. And so
479
00:30:04,830 --> 00:30:08,590
ultimately we're serving as a bridge in a lot of ways, but we're doing,
480
00:30:08,670 --> 00:30:12,350
but we're passionate in ways where you can see how it works
481
00:30:12,350 --> 00:30:15,750
and you can measure the efficacy in solving the
482
00:30:15,750 --> 00:30:18,110
problems. Do you think your
483
00:30:19,390 --> 00:30:22,830
history in the arts helps you approach
484
00:30:22,910 --> 00:30:25,800
things differently than like you see
485
00:30:26,600 --> 00:30:29,920
you were talking about, you guys have been doing it the same old way for
486
00:30:29,920 --> 00:30:33,720
a long time and you approach it and you're just like, I have to
487
00:30:33,720 --> 00:30:37,320
see this creatively, I have to see this in a different way. Do you think
488
00:30:37,320 --> 00:30:40,880
that inspires you to do that or is that just your personality or the
489
00:30:40,880 --> 00:30:44,240
personality of your company? I think is some of the
490
00:30:44,240 --> 00:30:48,040
arts allows for us to do it in innovative ways, but
491
00:30:48,040 --> 00:30:51,280
the development of technological investment, people that were
492
00:30:51,280 --> 00:30:54,840
inaccessible or people that you could only reach in isolated
493
00:30:54,840 --> 00:30:58,600
ways or through a very specific pipeline are now available at the
494
00:30:58,600 --> 00:31:01,920
drop of your head. Heck, we could be talking about something. If I say the
495
00:31:01,920 --> 00:31:05,680
right verbiage, my algorithm is going to start feeding it to me through ads
496
00:31:05,920 --> 00:31:08,800
through. Right. And so it's like
497
00:31:09,600 --> 00:31:13,440
now I have to be aware that anybody
498
00:31:13,440 --> 00:31:17,060
can reach me and vice versa, I can
499
00:31:17,060 --> 00:31:20,860
reach anybody that wants me or needs me. I
500
00:31:20,860 --> 00:31:24,140
just have to be intentional in what I'm conveying
501
00:31:24,460 --> 00:31:28,140
for that to make it a. Open to remove the bottleneck.
502
00:31:28,140 --> 00:31:30,540
Yeah. Right. And so
503
00:31:31,740 --> 00:31:34,780
both. Right. Anything is accessible at the,
504
00:31:35,340 --> 00:31:38,740
at the literally in the palm of your hand. And so because it's
505
00:31:38,740 --> 00:31:42,380
accessible, I have to be even more intentional in what
506
00:31:42,380 --> 00:31:46,180
I want to give access to, but also in what
507
00:31:46,180 --> 00:31:49,480
I want to remain accessible to me. Right.
508
00:31:49,960 --> 00:31:52,920
And so both of those coexist and it's like, well, how do you do that
509
00:31:53,240 --> 00:31:56,360
when you can be drowned out by the masses?
510
00:31:57,080 --> 00:32:00,800
Because everybody has the same open pipeline now.
511
00:32:00,800 --> 00:32:04,599
Yeah, I think there's definitely a move towards niche.
512
00:32:04,840 --> 00:32:08,520
Like that's. You can see it in fashion brands, you can see it in
513
00:32:08,520 --> 00:32:12,320
events, you can see it in communities. But because everything is
514
00:32:12,320 --> 00:32:15,910
available, it's almost like from a consumer standpoint, it's.
515
00:32:16,540 --> 00:32:20,060
I can't make a choice, but I can specialize. I can find that special,
516
00:32:20,300 --> 00:32:23,940
special thing that I really attach to. I think that's where a lot of meaningful
517
00:32:23,940 --> 00:32:27,420
experiences get created because you kind of niche down
518
00:32:28,140 --> 00:32:31,580
to focus, hyper focus on that one group and do it really well
519
00:32:31,740 --> 00:32:35,420
instead of you can't serve everyone everything. And I
520
00:32:35,420 --> 00:32:38,820
think some clients need that. They need that hand holding of like you could, you
521
00:32:38,820 --> 00:32:42,620
could do everything. But what would make it really special is this. And we're gonna,
522
00:32:42,620 --> 00:32:46,380
let's do this direction, you know, and getting them to see that, educating them,
523
00:32:47,160 --> 00:32:49,680
that's pretty cool. It's a gift. I think that's a gift to be able to
524
00:32:49,680 --> 00:32:51,320
do that. When you
525
00:32:53,080 --> 00:32:56,440
begin working on an event for a new client,
526
00:32:56,760 --> 00:33:00,600
what are the. Your first initial questions for them?
527
00:33:00,760 --> 00:33:04,280
You know, when you're just trying to get a feel, someone comes out of left
528
00:33:04,280 --> 00:33:07,800
field and they, they come and they're like there's a thing we want your help
529
00:33:07,800 --> 00:33:11,640
help on. What are your questions? Your initial questions to try to understand.
530
00:33:13,250 --> 00:33:16,290
So the beautiful part about our business model
531
00:33:16,930 --> 00:33:20,130
is not just every client is coming to our doorstep.
532
00:33:22,050 --> 00:33:25,650
People are looking for something one they have something
533
00:33:25,650 --> 00:33:29,450
level of. It's what's been the case
534
00:33:29,450 --> 00:33:33,250
is no longer working or who
535
00:33:33,330 --> 00:33:36,450
the same old source we've been using
536
00:33:36,930 --> 00:33:39,890
is no Longer viable either because of quality control,
537
00:33:40,970 --> 00:33:41,930
because of,
538
00:33:45,210 --> 00:33:48,930
they're, they're just, they're not advancing with the
539
00:33:48,930 --> 00:33:52,570
times that we're moving like exactly. They, they, they were
540
00:33:52,570 --> 00:33:56,330
so used to you being their customer base for the last
541
00:33:56,650 --> 00:34:00,130
two generations that they didn't actually hold themselves
542
00:34:00,130 --> 00:34:03,970
accountable of moving into the modern day. Yeah.
543
00:34:03,970 --> 00:34:07,690
With reality. And so for us,
544
00:34:08,320 --> 00:34:11,440
that is our niche. Our niche is realizing that
545
00:34:11,920 --> 00:34:15,600
a change, a generational gap exists.
546
00:34:17,520 --> 00:34:21,200
The things that we grew up with are no longer the social norms today.
547
00:34:21,520 --> 00:34:25,360
Right. We don't all watch the same Monday, 8
548
00:34:25,360 --> 00:34:28,720
to 10 o' clock lineup of television shows. We don't all
549
00:34:29,120 --> 00:34:32,920
only see this media representation. We don't all only
550
00:34:32,920 --> 00:34:36,619
read this paper or know this information. We now have the
551
00:34:36,619 --> 00:34:39,499
ability to possess anything anywhere in the world we want to.
552
00:34:40,379 --> 00:34:43,979
And so the things that we are now doing is we
553
00:34:43,979 --> 00:34:47,459
are conveying how this is a
554
00:34:47,459 --> 00:34:50,859
solution to stuff. And so more often than not, that's what's happening.
555
00:34:50,939 --> 00:34:54,659
We're, we're being introduced to clients in less
556
00:34:54,659 --> 00:34:58,139
conventional ways than oh, I'm just looking to book
557
00:34:58,139 --> 00:35:01,550
something. It's more so, hey, do you know
558
00:35:01,550 --> 00:35:04,550
anybody that can do this? Or hey, we're having this
559
00:35:05,430 --> 00:35:09,150
problem. What are some, we're trying to come up with a
560
00:35:09,150 --> 00:35:12,670
new way to solve it. That because what
561
00:35:12,670 --> 00:35:16,230
we're, we're tired of this being just a problem we've always
562
00:35:16,390 --> 00:35:19,750
had. And so our clients are meeting us in one or two
563
00:35:19,750 --> 00:35:23,590
spaces where they're getting introduced to us
564
00:35:25,430 --> 00:35:28,940
in a social space where our
565
00:35:28,940 --> 00:35:32,660
SEO, our visuals are the same types of
566
00:35:32,660 --> 00:35:36,220
captivating the visuals that they're used to on Pinterest or
567
00:35:36,220 --> 00:35:39,860
Instagram or whatever. However, the language is nothing
568
00:35:39,860 --> 00:35:43,540
like what they expect to go with. That is, that is not a YOLO
569
00:35:43,540 --> 00:35:47,140
type caption. It's a, this is, it's talking to pain points,
570
00:35:47,140 --> 00:35:50,780
it's talking to data based solutions, it's talking to
571
00:35:50,860 --> 00:35:54,150
how this avails this problem to be
572
00:35:54,150 --> 00:35:57,150
dismantled. Right. Is speaking to our, the
573
00:35:57,150 --> 00:36:00,870
psychographic of our target audience.
574
00:36:01,670 --> 00:36:04,870
But then two, the other thing that's happening is we're getting into
575
00:36:05,270 --> 00:36:08,950
community with the people who align with our niches.
576
00:36:09,110 --> 00:36:12,310
And instead of saying, oh, we do A, B, C and D,
577
00:36:13,430 --> 00:36:16,990
we're showing it, we're showing it and then we're explaining
578
00:36:16,990 --> 00:36:20,750
it. So now you grasp instead of us trying to be like,
579
00:36:20,750 --> 00:36:24,590
oh yeah, in some super long infographic that you're not going to read
580
00:36:24,590 --> 00:36:28,250
past the first or second, second section, we're now like, okay, this is, what
581
00:36:28,250 --> 00:36:30,930
does this, this is what does this, this is. And they're like wait a minute,
582
00:36:30,930 --> 00:36:34,650
she just hit on 12 different problems. We know we've always had. And
583
00:36:34,650 --> 00:36:38,370
we didn't realize there was a super like this was just trendy as somebody's
584
00:36:38,370 --> 00:36:42,170
wedding. But I never reimagined it right for it to
585
00:36:42,170 --> 00:36:45,970
serve this purpose. And that's where the, the creative
586
00:36:45,970 --> 00:36:49,770
innovation or industry disrupting part avails for. And
587
00:36:49,770 --> 00:36:53,340
then even in our quote intake process we know what you're used to. We know
588
00:36:53,340 --> 00:36:56,700
you're used to calling and people just asking three generic questions.
589
00:36:56,940 --> 00:37:00,740
We're going down logistics questions before you can even
590
00:37:00,740 --> 00:37:04,260
ask us for a price. Because you need to understand the things that you don't
591
00:37:04,260 --> 00:37:07,980
know. That we have to master understanding to get your job
592
00:37:07,980 --> 00:37:11,620
done the way you want the first time. But we gonna
593
00:37:11,620 --> 00:37:15,180
charge you what the value tied to that actually is.
594
00:37:15,420 --> 00:37:19,220
So now you understand. You're like oh huh. This is something nobody's ever asked me
595
00:37:19,220 --> 00:37:23,050
for. Yeah. But it really makes a huge weight. And in the back
596
00:37:23,050 --> 00:37:26,810
of the room we've just normalized so we're being disrupted even on the. In
597
00:37:26,810 --> 00:37:30,370
the back of the house with how we are moving. Having a meaningful.
598
00:37:30,450 --> 00:37:33,890
More meaningful conversation at the front. Yeah. Intentionality.
599
00:37:34,290 --> 00:37:37,650
It's a lot more intentionality going into. What do you.
600
00:37:39,330 --> 00:37:43,090
What do you think that corporate event specifically will look like in
601
00:37:43,090 --> 00:37:46,810
like 10 years? We've seen so much change over the
602
00:37:46,810 --> 00:37:50,320
last five that I, I really have a hard time
603
00:37:50,320 --> 00:37:53,880
seeing that far. But in your mind like what. What do you think it'll look
604
00:37:53,880 --> 00:37:55,640
like? It.
605
00:37:57,640 --> 00:38:01,240
It's no longer gonna be as. Oh yeah.
606
00:38:01,240 --> 00:38:04,760
We've just. It's. The traditional
607
00:38:05,480 --> 00:38:09,000
model is going away. Right. Like the,
608
00:38:09,080 --> 00:38:12,920
the really cute. Some certain things are going to be necessary. Being
609
00:38:12,920 --> 00:38:16,400
able to. A person being able to see you, the thousandth person in the back
610
00:38:16,400 --> 00:38:20,100
room needing to see you from stuff. It's still going to have to be able
611
00:38:20,100 --> 00:38:23,940
to see it because you can only be in one place. But
612
00:38:25,140 --> 00:38:28,740
the accessibility is evolving quickly
613
00:38:28,740 --> 00:38:32,220
through technological advancements. Whether that's like
614
00:38:32,220 --> 00:38:35,220
holographic orbs flying throughout the room,
615
00:38:36,340 --> 00:38:39,940
drones, you know the just technology
616
00:38:39,940 --> 00:38:43,060
is evolving so much to allow for it to be a personalized experience
617
00:38:43,700 --> 00:38:46,540
which is what people are willing to pay for. They're willing to pay a premium
618
00:38:46,540 --> 00:38:49,900
for that. So as prices go up, I definitely believe the
619
00:38:49,900 --> 00:38:53,240
technological side of events is drastically gonna
620
00:38:53,240 --> 00:38:56,960
evolve. Right. The other side to it is
621
00:38:58,320 --> 00:39:00,560
I genuinely believe it's gonna be about
622
00:39:02,240 --> 00:39:05,960
you know how people save for weeks or months
623
00:39:05,960 --> 00:39:09,800
at a time for a vacation that's short lived. Yeah.
624
00:39:09,800 --> 00:39:13,640
I believe that the event industry is. Is transitioning Quickly to
625
00:39:13,640 --> 00:39:16,960
that where people are willing to pay a premium, but they want of experience
626
00:39:17,620 --> 00:39:21,460
that they can only get here. They will. The price is going to go up,
627
00:39:21,460 --> 00:39:25,060
but so is something that they leave with that only
628
00:39:25,140 --> 00:39:28,540
being there granted them access to. Right. So it's going to be the type of
629
00:39:28,540 --> 00:39:32,380
chair like you'll pay 500 a night to sleep in
630
00:39:32,380 --> 00:39:36,180
a bed with 5,000 thread count sheets. Right. Meanwhile,
631
00:39:36,180 --> 00:39:39,940
your sheets at the house are from wherever. Yeah, Ross, maybe
632
00:39:39,940 --> 00:39:43,720
you know, you'll pay for the once in a
633
00:39:43,720 --> 00:39:47,560
lifetime meal, the gold stakes and the. Because you're like,
634
00:39:47,560 --> 00:39:51,320
well, I now have experienced it. I now know what that feels
635
00:39:51,320 --> 00:39:54,880
like. I now have been able to go through new
636
00:39:54,880 --> 00:39:58,440
arrays of emotions, thoughts, inspiration,
637
00:39:58,839 --> 00:40:02,040
aspirations, goals, and I kind of tying.
638
00:40:02,040 --> 00:40:05,840
Lifestyle experiences with work experiences a little. Bit more and
639
00:40:05,840 --> 00:40:08,670
been able to do it with people that you share some type of
640
00:40:09,700 --> 00:40:12,820
commonalities in community. Which it goes back to. Yeah, your community.
641
00:40:13,220 --> 00:40:16,860
Like one of the biggest things that people didn't talk about. Well, they
642
00:40:16,860 --> 00:40:20,460
did because I heard about it. Like some of the biggest things that
643
00:40:20,460 --> 00:40:24,060
happened at the height of COVID lockdowns were people, single people
644
00:40:24,060 --> 00:40:27,500
acquired pets. Right. Companionship or
645
00:40:27,500 --> 00:40:31,300
divorces. They realized the social connection they
646
00:40:31,300 --> 00:40:34,910
had to the person that they were relating to. Once you
647
00:40:34,910 --> 00:40:38,670
pulled away all the distractions wasn't at the quality
648
00:40:38,670 --> 00:40:42,390
that they wanted to actually have to sustain for extended
649
00:40:42,390 --> 00:40:46,030
terrain. Like the survival mindset of this is my only option.
650
00:40:46,190 --> 00:40:49,910
People will go with the one that may not get them as much accreditation or
651
00:40:49,910 --> 00:40:53,390
certifications just because it's accompanied by
652
00:40:53,790 --> 00:40:57,310
the type of environment they want to exist in. Whether it's socially
653
00:40:57,390 --> 00:41:01,150
gender based, religious based. Just acceptability like
654
00:41:01,150 --> 00:41:04,750
being able to show up authentically as their whole self in that space. So maybe
655
00:41:04,750 --> 00:41:08,170
more. More personal identity attached to
656
00:41:08,650 --> 00:41:12,290
live events. Yeah. And being aware of your audience like the
657
00:41:12,290 --> 00:41:15,050
psychographic thing, you're not just going to be able to say, okay, well all of
658
00:41:15,050 --> 00:41:18,690
you guys are doctors, right. So this is a doctor event.
659
00:41:18,690 --> 00:41:22,490
Like you're actually gonna have to talk to
660
00:41:22,490 --> 00:41:26,090
people's motivations or triggers. Everybody has a why.
661
00:41:26,090 --> 00:41:29,730
And now. And we're now transitioning to a state of
662
00:41:29,730 --> 00:41:33,490
reality where even events have to comprehend the
663
00:41:33,490 --> 00:41:36,640
why instead of the what. Yep.
664
00:41:37,280 --> 00:41:40,560
And the whys require for you to actually understand,
665
00:41:40,880 --> 00:41:44,320
to want to hear from your audience, not just get a check from them.
666
00:41:44,720 --> 00:41:48,160
That's a lot of cool thoughts. I love the idea of what will it look
667
00:41:48,160 --> 00:41:51,760
like with the statement, you know, personalizing each
668
00:41:52,080 --> 00:41:55,720
everybody's experience. You know, you go to these events and
669
00:41:55,720 --> 00:41:59,480
it's. It's Unique to you. And it'll be interesting how technology plays a
670
00:41:59,480 --> 00:42:02,470
part in that. But some things are low tech that can play a part of
671
00:42:02,470 --> 00:42:05,750
that too. Not necessarily, but just the, like, push
672
00:42:05,750 --> 00:42:09,510
notifications. Like something that I loved
673
00:42:09,670 --> 00:42:13,270
this one guy did at a trade show two, three years ago,
674
00:42:13,750 --> 00:42:17,270
and he had a team. His team literally did it as the lead
675
00:42:17,270 --> 00:42:20,950
generation. And he positioned his booth by the entryway where
676
00:42:20,950 --> 00:42:24,750
everybody ended up in his bubble, so to speak, for where
677
00:42:24,750 --> 00:42:28,400
he did airdrops to every single person that
678
00:42:28,400 --> 00:42:32,080
came and write. And. But it was a premium giveaway. So instead of having
679
00:42:32,080 --> 00:42:35,720
this super elaborate thing where you're paying for all these banners, you're
680
00:42:35,720 --> 00:42:39,440
actually giving the investment to the. And so
681
00:42:39,440 --> 00:42:43,080
there were a couple of different things happening. This spoke to the different types of
682
00:42:43,080 --> 00:42:46,400
audience that they appeased to as their target demographic. They were doing custom
683
00:42:47,520 --> 00:42:51,040
branded giveaways that could be customized on the
684
00:42:51,040 --> 00:42:54,720
spot. Another version of it, they were doing it with denim where
685
00:42:54,720 --> 00:42:58,460
you could have something engraved up to four characters right
686
00:42:58,460 --> 00:43:01,740
then and there. There was another version of it where
687
00:43:02,460 --> 00:43:06,260
it was like, what
688
00:43:06,260 --> 00:43:08,940
did they do? They were they.
689
00:43:10,780 --> 00:43:14,140
Where it was like three of their best selling things,
690
00:43:14,380 --> 00:43:17,980
but they had like sample versions of it. And so it was
691
00:43:17,980 --> 00:43:21,580
like, is it the touch, the smell, or the sound
692
00:43:21,820 --> 00:43:25,660
that motivates you? Oh, the senses. Yeah. Like activating senses
693
00:43:25,660 --> 00:43:29,200
in a different way. And it's like. And it. And it turned into a lead
694
00:43:29,200 --> 00:43:33,040
generation where it's like, okay, this is just enough for me to now
695
00:43:33,040 --> 00:43:36,240
want to tell people about it where we. But it was made in a way
696
00:43:36,720 --> 00:43:40,440
where you could only get it here. So it's like you want to
697
00:43:40,440 --> 00:43:43,600
be there. Like, wait a minute, y' all did a rollout and it was exclusive
698
00:43:43,680 --> 00:43:47,520
like that. And you create the FOMO thing. Yeah. But
699
00:43:47,520 --> 00:43:51,320
it's also something that people now don't feel. Feel like they're
700
00:43:51,320 --> 00:43:55,060
seeing a return, a tangible return, an investment versus
701
00:43:55,060 --> 00:43:57,940
just some generic stuff didn't
702
00:43:58,260 --> 00:44:01,900
everybody's going to discard or is going to end up in one of the. One
703
00:44:01,900 --> 00:44:04,540
of the kind of running jokes in our house is, you know how many events
704
00:44:04,540 --> 00:44:08,020
we've been to based on how big our those vacuum seal
705
00:44:08,020 --> 00:44:11,300
storage bags get with stuff that we never use again,
706
00:44:11,620 --> 00:44:14,900
like shirts and cups and this and that. Versus
707
00:44:15,460 --> 00:44:18,660
right now. If I was to go grab my fanny pack, I literally have
708
00:44:19,960 --> 00:44:23,800
one of those battery packs that I got from a
709
00:44:23,800 --> 00:44:26,840
lawyer as their premium guy. I said, I literally bought one of these two days
710
00:44:27,480 --> 00:44:30,040
before the event because I knew I would need it. And I said, you guys
711
00:44:30,040 --> 00:44:33,440
have one I said this was the perfect premium getaway. Yeah. My spouse has said
712
00:44:33,440 --> 00:44:35,720
to me at least seven times, you need to take that battery pack out of
713
00:44:35,720 --> 00:44:38,800
your fanny pack. There's no space. I was like, I bet I won't. I bet
714
00:44:38,800 --> 00:44:42,520
my phone won't be dead nowhere. Like I'll be the one with the phone.
715
00:44:43,080 --> 00:44:46,800
Exactly. You know, so little stuff like that where it's like, I take it
716
00:44:46,800 --> 00:44:50,050
with me and if you intentionally invest in it the right way,
717
00:44:51,090 --> 00:44:54,090
when this conversation comes back up, you're going to be the person at the top
718
00:44:54,090 --> 00:44:57,370
of mine versus the 12 people that gave me
719
00:44:57,370 --> 00:45:01,090
pamphlets or the three people that tried to convert me on the spot
720
00:45:01,410 --> 00:45:04,610
but didn't even allow for it to be customized to my
721
00:45:04,930 --> 00:45:08,690
problem. That's awesome. That's good. Good
722
00:45:08,690 --> 00:45:12,410
thoughts on that. I. If people wanted to learn more about shift
723
00:45:12,410 --> 00:45:15,730
event rentals or other projects you're working on, what, what should they do? Where should
724
00:45:15,730 --> 00:45:19,170
they go? Go? Well, we're on almost every social
725
00:45:19,250 --> 00:45:22,570
platform. Facebook, Instagram, tik, tok,
726
00:45:22,570 --> 00:45:25,570
Pinterest, LinkedIn,
727
00:45:26,050 --> 00:45:29,570
LinkedIn. All right, yeah, YouTube.
728
00:45:30,610 --> 00:45:34,370
It's. That's always a great place if you want to
729
00:45:35,090 --> 00:45:38,530
just kind of get a feel of how we are.
730
00:45:38,850 --> 00:45:42,610
Our personality definitely shines through in the most
731
00:45:43,390 --> 00:45:47,190
corniest ways, sometimes through our content, but also in a formed
732
00:45:47,190 --> 00:45:50,390
way to allow for you to understand how these things are
733
00:45:50,390 --> 00:45:54,070
transferable to your needs. But also our website, we
734
00:45:54,070 --> 00:45:57,710
have 24 hour chat support. Our website is
735
00:45:57,870 --> 00:46:01,150
very extensively laid out and we
736
00:46:01,550 --> 00:46:05,270
are doing a couple of things a little differently where we have transparent pricing and
737
00:46:05,270 --> 00:46:08,950
how to make it your own. Okay, fantastic. We'll
738
00:46:08,950 --> 00:46:11,870
link to all that in the resources part of the podcast so people
739
00:46:12,800 --> 00:46:15,440
can just click on that and find out more about you. And
740
00:46:17,040 --> 00:46:20,120
I would highly recommend it. And I thank you for, thank you for being here
741
00:46:20,120 --> 00:46:23,880
on the show. You know, we. I only invited you like just a, basically a
742
00:46:23,880 --> 00:46:27,280
few days ago and you were like, yeah, I'm ready. Yeah. So thank you for
743
00:46:27,280 --> 00:46:30,920
being, being a good sport and coming down here and doing it in person. We
744
00:46:30,920 --> 00:46:33,120
were going to do it remote, but you're like, no, I'm going to be there.
745
00:46:33,280 --> 00:46:37,120
Yeah. Because getting around like minded people is such
746
00:46:37,120 --> 00:46:40,940
an intangible but super valuable thing to do
747
00:46:40,940 --> 00:46:44,180
in the corporate event space. Like, it can feel so
748
00:46:44,180 --> 00:46:47,940
mundane, especially as you just go through your normal
749
00:46:47,940 --> 00:46:51,700
workflow. Right. No matter how unique of
750
00:46:51,700 --> 00:46:55,300
a project you can be working on. So for
751
00:46:55,300 --> 00:46:59,100
me, I'm like, sometimes what's said out
752
00:46:59,100 --> 00:47:02,780
loud in front of folks is
753
00:47:02,780 --> 00:47:06,580
even more in depth when the cameras or the mics or the
754
00:47:07,060 --> 00:47:10,880
inform or the formal part of the interaction ends. So
755
00:47:10,960 --> 00:47:14,200
it's one of those things where you're just like, yeah, the like
756
00:47:14,200 --> 00:47:17,920
minds add so much value to an encounter
757
00:47:18,960 --> 00:47:22,560
or just opens up different avenues that allows for you
758
00:47:22,560 --> 00:47:25,680
to fall back in love with what you're doing. Yeah,
759
00:47:25,920 --> 00:47:29,680
agreed. This is your reminder to get out there and network. I know that
760
00:47:29,840 --> 00:47:33,560
some people love it, some people don't. But every time I do it, I meet
761
00:47:33,560 --> 00:47:37,280
somebody new. And I know you do too. And it's just something
762
00:47:37,280 --> 00:47:40,960
about we are event people. We do things that bring
763
00:47:40,960 --> 00:47:44,800
people together and there's like a magic that happens in any group of people.
764
00:47:44,880 --> 00:47:48,560
Whether it's the thing you're producing or it's a networking group of event
765
00:47:48,560 --> 00:47:52,400
people, you know, there's always something to be learned. Being around other people, we
766
00:47:52,400 --> 00:47:56,120
kind of sharpen each other's skills and to learn about other people and it's
767
00:47:56,120 --> 00:47:59,880
fantastic. So thank you for joining us on this episode of the Event
768
00:47:59,880 --> 00:48:03,680
Pro Show. Be sure to follow us on your preferred
769
00:48:03,680 --> 00:48:07,310
podcast platform and we will see you
770
00:48:07,310 --> 00:48:11,150
on the next one. Thank you so much. The Event Pro show is a production
771
00:48:11,150 --> 00:48:14,310
of LEMG video by Nick Barrett
772
00:48:14,710 --> 00:48:18,550
Audio and post production by Prince Thompson. You can learn more about
773
00:48:18,550 --> 00:48:20,790
us at LEMG Live.