The AV Advantage, Part 2- Boost Value and Efficiency for Every Event

Welcome back to The Event Pro Show, your podcast for everything corporate events! Host Seth Macchi, CEO of LEMG, continues part two of the five-part “AV Advantage” series. If you’ve ever wondered how to secure better pricing, top-tier technicians, and seamless execution from your AV production partners, this conversation is for you.
Seth shares practical strategies to help planners maximize their AV budgets without compromising creativity or quality. You’ll discover why early collaboration with your AV partner ensures access to the best gear and talent, and how smart planning can help you avoid costly mistakes and last-minute rush charges. He also outlines the ideal workflow for partnering with AV pros from the concept stage and explains why clear, detailed RFPs are key to getting accurate, comparable quotes from vendors.
Whether you’re a planner or producer, tune in for takeaways that elevate your projects and streamline your process. Stick around until the end for a preview of what’s next in the “AV Advantage” series!
The Event Pro Show is a production of LEMG.
LEMG is a leading event production company known for delivering exceptional experiences. From site planning and event design to technical production, staging, lighting, sound, and more—we do it all. As a second-generation company, we’re proud of our rich history and commitment to innovation. Whether it’s a corporate meeting, conference, convention, or live event, we’re the team our clients trust to execute their vision flawlessly.
https://lemg.live/
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Do you know how to get better pricing, better techs, and better execution
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from your AV production partners? Well, let's get into
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it welcome to. The Event Pro show, your ultimate
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guide to the world of corporate events. Whether you're a corporate event planner,
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experiential marketing pro, producer, technician, or anyone involved
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in creating exceptional events, this podcast is your go to resource for
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valuable insights, expert tips and inspiring stories from the industry's
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leading professionals. Foreign.
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Welcome back to the Event Pro Show. I am your host Seth Macchi.
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I'm the CEO of lemg, an event production company
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based in Charlotte, North Carolina and we specialize in
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producing corporate events all over the country and we work with
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event planners all of the time. And you are joining us in
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Part two of the AV Advantage. It's a five part series we're
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doing to essentially give event planners tips on how to
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work better with their AV production partners. In our last
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episode, which is episode one, we explored why bringing your AV partner
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into the planning process early and how that can help spark
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better ideas, avoid costly redos, make the entire
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RFP process smoother. And we also talked
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about how collaborating with AV professionals from the start isn't
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just a nice to have. It's really essential for controlling your
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budget and delivering the best attendee experience, no
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matter your event size or format. And that's important. You know
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there's you can provide top quality no
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matter the size, no matter the format. That's really the goal. And
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if you find great partners, that's the goal. It doesn't matter what the budget
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is. Let's all do this together and make it amazing. I also
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showed some key questions
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to expect and be prepared for when you sit down with your AV
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partner for the first time about a project so you're set up for success right
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from day one. If you missed that episode, make sure
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to check it out. For tips on designing your event with AV in mind
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from the very beginning, you can go to the eventproshow.com
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same place that you joined us for this episode. Today
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we're moving on to Part two where we'll be diving
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in to practical strategies for doing more with your
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AV budget so you can stretch your dollars further without
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sacrificing quality or creativity. It's probably the number one concern
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that I hear day in and day out from event planners is just their
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budgets are so stretched, their people are so stretched. So
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we're trying to figure out ways to help you do more with less.
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That's really the mandate for a lot of people right now, and the time that
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we're in. And that's great. Let's do it together. So the goal is showing
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how early planning equals better pricing, better text
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and better execution. All right, so let's get started.
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So I want to talk really quick on why waiting costs more. I've talked
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about this before, but I want to want to talk about
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the economics. That's the underpinning to that
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statement. So there's a few things, a couple,
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couple primary things that are always going to be what you're paying for
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when you're working with an AV service provider. And one,
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the first one is labor. So that includes freelancers,
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internal technicians, load in, load out labor. It might include
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IATSE or union stage hands, but all of that is kind
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of the labor charge. And then you're going to talk about the gear
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piece of it. So the gear rental piece of it. Those two components
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a lot of times are split kind of 5050 on a well
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built AV quote. And you have other,
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other pieces of that. There might be creative and
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some development of maybe set pieces, but, but really just generally
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that's kind of a 50 50. So let's talk about those
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things. Freelancer costs and
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labor costs. Why, why are labor costs going up to begin with?
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And let's take it from COVID A lot of you were there,
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some of you weren't. But pre Covid, there
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was kind of a race to the bottom on AV pricing.
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Every there were a lot of AV providers and everybody was getting cheaper, cheaper, cheaper
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because of that. Technicians rates were kind of held
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at bay and especially freelance rates were kind
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of held. They hadn't grown for quite a while. I would
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say probably the five years leading up to Covid, it was
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pretty stagnant because of this race to the bottom on AV
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pricing. There wasn't a lot of budget to raise freelancer rates.
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And in the AV industry we really depend on
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freelancers. Freelancers when we
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say that they're independent contractors and typically a lot of them
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worked on staff with an AV company at some point and developed their
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skills to the point where they realized they could make more if they jumped into
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the entrepreneurial pool and started their own LLC and
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started working for multiple AV providers. And we as AV
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providers are great with that because we get incredible technicians
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and those technicians kind of are cross
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pollinating with ideas and concepts with other
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AV providers that we respect and are doing other work
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all over the place. So it ends up being a win, win for everybody.
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Well, going into Covid, when everything shut down, we lost a lot of
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that Talent, either they retired or they went into, I don't know, they became
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Realtors or and moved out of the industry.
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And so we're short on talent. And then the
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ones that stayed command a higher rate and
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at the same time a lot of rates. Speaking of
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commanding higher rates, they went up 50 to
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100% in a few years time from COVID forward.
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Because not only was there a demand on services, but I believe there was
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a pent up demand for rate increases in anyways
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because of the five years before COVID and all of that. So
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there is really a competition for great freelancers even
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to this day. And so knowing early
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and why, you know, if you wait, you have a show, but you wait to
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kind of bring your AV provider in, you're limiting their ability to get
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the top notch talent because that talent books 3,
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6, 9, 12, 18 months out.
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So the earlier we know, the more talent we have to work with. The second
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is in the AV industry.
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You know, 20, 25 years ago, toward you know,
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beginning of my career, it was all about what AV provider
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owned, all the gear internally. If we cross
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rented any gear, it was rarely for very
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specific things. All of that has really shifted. There are a lot of
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great third party gear providers out there right
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now that have high quality gear at competitive prices. So if you're
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hearing that your AV provider is cross renting a lot of
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gear, don't let that freak you out. That's actually how the model is
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moving, especially for a lot of younger companies coming in. They've realized they don't have
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to have this massive overhead of buying a ton of gear all at once.
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They can kind of ease into it and use the third party provider that's very
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trusted, does great work. But because of that
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there is a bit of a demand, a scheduling demand on
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that equipment. And so again,
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if you're waiting on booking your AV provider, you're limiting their
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ability to get the best prices on equipment and finding the
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best gear. And the third minor point that
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I would want to bring up about why you shouldn't wait to bring your
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AV provider in is rush charges. If you get
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too short, too close to the finish line before your event starts,
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there might be rush charges because you're generating more work for
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them to try to get your event planned and ready to go
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in a short amount of time. So that those are three big reasons
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and the economic underpinning of why waiting costs
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you more. So the earlier you can bring in, you can get your
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technicians booked, the best technicians, you can get the best Gear at the best
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prices and rush charges aren't even a thing.
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So that's the pricing piece of waiting versus not
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waiting. The AV planning process I wish every
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client followed. I don't really have a timeline, but I do have
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kind of conceptually, what is a great path to
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follow when you're looking for an AV provider is once your
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project is known so you're given the concept, go ahead and bring,
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you know, the concept that you have an event coming up, go ahead and bring
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your AV partner in even if you don't have an rfp.
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If an RFP is required, go ahead and consult with
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your AV partner that you really trust on helping to build
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that. I believe that the best relationships
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eventually don't really require an rfp.
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You can bring in your AV partner that you trust way early on and they'll
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help you come up with a solution. That is, it works
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within your budget, within your requirements, even if you're
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uncomfortable with that. Have two, have two AV partners that
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are your AV partners and you bounce between and that kind of mitigates
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that risk of being dependent on one partner. But if you can build
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relationships to not even require an rfp, first of all, it
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saves you a ton of time. And second off, they're better
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at building the concept of what you're trying to do than you are usually,
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unless you come from an AV background, you're a planner with an AV
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background, which there are some, and I have friends that are, but not, not
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everybody is. And so building a relationship with an AV partner that can
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help you create the solution, that they know your end goal and they help
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you create it against your budget would be the best way to
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go. The next step is once you, once you know the
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event and you're looking at locations, go ahead and bring your AV
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partner to site surveys. And you know, maybe not every site
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survey you do, but maybe the final two or three bring them and
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they can help consult on what's the best place to do that event.
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And so after that, then the design begins based on the actual
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space. And so you're working in the correct order here. The design
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begins in the actual space. You come up with design, then you get
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full quote. It's created with time to discuss and
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come to the best possible solution. So all of this
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requires time. This is why bringing someone in early allows you
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to do this. But at least three months leave, at least
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three months to book the best labor and equipment. So doing all this ahead of
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time so that once you know the solution, the technicians you're going to need all
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that kind of stuff. Then your, then your supplier, your vendor has time,
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maybe three months or more to book the best labor and
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equipment and then consistent communication all the way to
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load in. That's like the perfect scenario. Now I know that's a
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luxury for some of you for most of your events or maybe all
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of your events or some of your events. Sometimes it's just not
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that way. Hey, we need to get this event done in four weeks. So
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go get it. You know, and I get that, but that doesn't always. The fire
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drill doesn't have to be the standard operating procedure.
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That could be the exception. So I want to talk a little
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bit about common time
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wasting mistakes. You know, speaking of when you
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have a short time frame, let's talk about things that do waste time that I've
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seen and you know, how to avoid them. If you're sending out
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RFPS without enough specificity. I'm going to get into that
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in a second about RFPs.
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I'm going to get up into that in our next episode
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with more specificity. But if you're sending out just
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super general RFPs, you're going to find that your quotes that you're getting back
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from potential vendors are kind of all over the place. And
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so you end up collecting non similar quotes from various
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providers. And so then your team, or if you don't have a team,
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it's just you have to go back and forth with each
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vendor and try to create similar quotes between vendors. You're trying to do all
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the translation of like, okay, is it, is this 8 hours per
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a day or 10 hour day? When are we in overtime? What you know, you're
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trying to figure out all these details. Well, if you can be really specific
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with your rfp, it creates a apples to apples quote
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across the line and saves you a ton of time. So the
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bottom line in all of these suggestions that I was just
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sharing with you is that early planning equals
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better pricing, better text and better
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execution. So I'm going to keep on with this. So
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be sure to join us next time for part three of the AV
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Advantage where I'll be walking planners through how to get
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the proposal they actually want by
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writing clearer RFPs. More specificity.
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How can you do that? How can you standardize this thing so it's easier for
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you to make your final decision? Thank you for joining us on
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the Event Pro show. You can join us weekly where every other
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week I'll be providing tips like this that are specific to AV and then
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on the alternate. Every other week I bring in a guest that is
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somehow associated with corporate events. I have so many friends in the
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corporate events space that I want you just to know. You should know.
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And so this could be somebody talking about food and
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inclusion and Talking about
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venue CVBs or venues, or talking about
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catering, or talking about floral or just all, all
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sorts. There are so many people that you need to know and
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it's a fun show. It's a fun way of sharing tips and
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tricks by people that you don't often get to talk to. Thank you
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for joining us and we will see you on the next time. If you need
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AV help, go to LEMG Live and
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we would love to work with you. Thank you so much.
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The Event Pro show is a production of LEMG video
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by Nick Barrett, audio and post production by Prince
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Thompson. You can learn more about us at LEMG
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Live.